What was andrea mantegna known for Andrea Mantegna (UK: / mænˈtɛnjə /, US: / mɑːnˈteɪnjə /; [2][3] Italian: [anˈdrɛːa manˈteɲɲa]; c. 1431 – Septem) was an Italian Renaissance painter, a student of Roman archeology, and son-in-law of Jacopo Bellini.
How did andrea mantegna die Andrea Mantegna's productive years, 1448-1506, bridged the Early and High Renaissance periods, and the spirit of his work exemplifies the vexed contrasts between humanism and martial aggression, between piety and the profit motive, which characterized the era.
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Andrea mantegna death Andrea Mantegna (c. 1431-1506 CE) was an Italian Renaissance artist most famous for his use of foreshortening and other perspective techniques in engravings, paintings, and frescoes.
Andrea mantegna family Born in or around 1431 in the small town of Isola di Carturo, near Padua, Mantegna is known for the linear sharpness and rigorous attention to detail of his art. Mantegna also stands out among Italian Renaissance painters for his complete dedication to classical antiquity.
Lamentation of christ (mantegna) Andrea Mantegna (Isola di Carturo, 1431 - Mantua, 1506) was one of the greatest Renaissance artists of northern Italy. The painter worked at length between Mantua, Padua, and Ferrara, and thanks to his originality and passion for classical art he managed to obtain the title of “knight.”.
What kind of art did andrea mantegna make
Andrea Mantegna (ca. 1430-1506), painter and engraver, was the leading artist of the school of Padua and one of the most important early Renaissance Italian masters. Andrea Mantegna, the son of the carpenter Biagio, was born at Isola di Carturo about halfway between Padua and Vicenza. Where did andrea mantegna live Andrea Mantegna (UK: / mænˈtɛnjə /, US: / mɑːnˈteɪnjə /; [2][3] Italian: [anˈdrɛːa manˈteɲɲa]; c. – September 13, ) was an Italian Renaissance painter, a student of Roman archeology, and son-in-law of Jacopo Bellini.
Andrea mantegna fun facts Andrea Mantegna's productive years, , bridged the Early and High Renaissance periods, and the spirit of his work exemplifies the vexed contrasts between humanism and martial aggression, between piety and the profit motive, which characterized the era.